Matt thought I should post this for consumption outside my soon-to-be Dungeons & Dragons group. So here it be. A creation story and a few associated notes that are of minimal interest to those not likely to play in said game, but possibly amusing nonetheless.
In the Beginning—if there is a Beginning, for you know that there are
many worlds, waning and waxing like the ringing waves of a raindrop in
water—in the beginning of our own world, then, it is said there were
only the Stars and the blackness. The Stars gave light through the
blackness, and with their light they sang each other songs. There was one
Star, however, who began to think how the songs of the Stars differed, and
decided that, since the Stars’ songs were different, one song must
naturally be best—and, as you may expect, he decided that the best was
his own.
The Star turned inwards, then, and kept all his songs, his light, love and
attention, for himself. “This is folly!” cried the other Stars, “No Star
can hold within him all his light!” And so it was, for the Star began to
burn, his light escaping despite himself in tongues of destructive fire,
and he became the Sun.
The other Stars feared the fiery Sun, and sang together of a way to turn
him from himself. “Why are the other Stars,” they said, “turned outwards
to their brothers and sisters?”
“Because we are all joined in a fellowship of love,” sang the Evening
Star, and they knew that it was so.
“But this Sun has rejected us,” they mused, and so it was they came to
fashion a bride for the Sun, to turn him from himself and back to ways of
love.
They formed her out of the blackness, that she might need his light, and
adorned her with their songs, that she might be beautiful in his fiery
eye. The younger stars sang her a body of stone, and the Evening Star
sang her clothes of water, and all the stars together sang her into beauty
and life, their choruses bringing forth leaves and fruit, birds and
beasts, a million forms and ideas wherever the songs touched.
At first, the Sun looked upon this bride, the Earth, and found her
beautiful. He touched her, and kindled within her his own heat, and so it
was both that she came to have mountains of fire, and her child the Moon.
The Moon was as both of them—both of the dark stone of her mother, and
of the light, albeit pale, of her father. But the Sun looked on the Moon
and saw only how his purity had been tainted, and he threw her angrily
into the starry sky before turning in rage to her mother.
For now the Sun had been reminded of his own beauty, and now the shapely
Earth seemed only competition. He rushed against the Earth with songs of
burning hatred and destruction, and only the songs of the Stars and the
new, strong voice of the Earth kept him at bay. Long they wrestled with
him, and at length with songs they bound him out of the darkness and away
from the Stars, beaming his hatred and his escaping light at the Earth his
mistress.
And now the Earth was quite alone, save for her daughter tumbling crazily
in the sky afar. She turned to the beasts and plants, but they heeded her
not, and she asked the Stars once again to sing her life. From herself
she took stone, and formed the dwarves, that they might be at home in the
deep places and the high of her stony mountains. From the clay she formed
the halflings, that they might ever change and adapt, and be too slippery
to be long caught. From the rich loam she shaped the elves, that they
might live and thrive with the trees and flowers. From the dust she
shaped the gnomes, that like that medium they might fly far and wild on
the waves and wind. And last she took from herself sand, and made humans,
that they might be as plentiful and wide-spreading as the sand itself.
And while the beasts and birds multiplied across the earth, those few that
had heard the First Song now grew and changed in the Second, so they were
strong in the songs of being, and became the Gods of the many peoples.
And how did the evil things come to the Earth-mother? Did they spring
unseen from her soil in the birthing songs of the world, planted by the
jealous songs of the Sun or the crazed Moon? There is no one, now, who
knows, but many tell this tale of the birth of the Earth and her people.
And many of those people think it’s rot.
Further roleplaying info:
Most people worship a totemic animal. This seems to work fairly well,
though I will note for those of you who have played D&D before that the
totemic animal gods are a little more…direct and hands-on than you may
be used to. I like my animal gods. If you want one, let me know :)
Worshipping the larger entities is a little more fraught with peril. For
instance, in order to get any favors out of the Sun, you have to sacrifice
sentient beings to him approximately 12 times a day. Hence the Mectul,
the cruel conquerors of the North, who constantly make war upon their
ever-further neighbors in order to feed the sacrificial altars of their
cities.
The Moon, by contrast, is easier to get along with. You just have to give
up your sanity. I guess every little bit helps when you are as crazy as
her.
The Stars are kind, but in order to hear them you must never step on the
noisy face of the land. The Gnomes, therefore, live at sea, and only one
Gnome per boat has made the ultimate sacrifice and stepped onto the land
to deal with its peoples, giving up the soft songs and wise counsel of the
Stars.
The Earth is the softest touch, but in order to get any more favors than
the usual—you know, the bounty of food, shelter, et cetera she gives to
all her chillins—you have to pretty much swear yourself to do what she
wants. The dwarves as a people have done this, and she has given them a
general commandment. Any individual dwarf can decide he is special and
ask for a more specific command, but it’s kind of uppitty and the rest of
the dwarves find it Shocking.